British Nigerian Portrait Series By Tobi Sobowale

 

GBEMI AMAJA, photographed by Tobi Sobowale

EXPLORING THE DUAL IDENTITIES OF INDIVIDUALS WHO IDENTIFY AS BOTH BRITISH  AND NIGERIAN.

A celebration of the rich cultural heritage, diversity, and resilience of the Nigerian diaspora in the United  Kingdom. 

Inspired by the iconic portraiture of Lagos in the  1960s and 1970s—an era of newfound independence from British colonial rule—this series looks to capture not just the aesthetic qualities of Nigerian culture, but the personal stories, styles, and individuality of  British-Nigerians today. The photographs reflect both the historical  significance of Nigeria’s post-colonial era and the  evolving identity of the diaspora in a modern context.

These portraits are taken through a contemporary  lens, exploring the balance between heritage and  modernity in a multicultural society.

ABI KASIM (LEFT),MUM (MIDDLE)& MATERNAL GRANDMOTHER (RIGHT), photographed by Tobi Sobowale

Commencing the exploration of dual identity, the impact it has on our personal stories and societal contributions, creator of this contemporary British Nigerian portrait series, Tobi Sobowale unveils her story and objective behind the editorial. It’s not often you witness the documentarian step out from behind the lens and into the spotlight. In this rare and beautiful moment, Sobowale offers an intimate glimpse into being British-Nigerian, later leading you to her photographic archive.

“I identify as British-Nigerian. British by birth and Nigerian by heritage. If someone asks me, where I’m from, I’ll say I’m from Nigeria and growing up was the norm, it needed no explanation and maybe that’s primarily because I was surrounded by other Black Brit’s with similar backgrounds so they understood what I meant. When I went to university in Newcastle people would ask me where I’m from. I didn’t know if they meant where am I from in the UK as in London or where does my Blackness come from as in Nigeria. 

When I started working, the answer went back to being Nigerian. It wasn’t until recently that I realised people thought I meant that I was born there. I thought my ‘British-ness’ was obvious from my accent so I never really felt the need to explain that part. I had a conversation recently with a Nigerian friend and he said I’m not Nigerian after I explained that I had a passport, although it had expired. He joked saying, people who are Nigerian, do not allow their passports to expire because it’s the only passport they have.  

Being British-Nigerian is a beautiful but complicated identity. For myself, it means not feeling fully like you belong to one or the other. Not British enough because of my Blackness and not Nigerian enough because well, I wasn’t born there. There is also the beauty in identifying with so many other people who have a similar duality, those who identify as British-Nigerian, the Black Brits whether from Ghana, Jamaica or other parts of Africa and the West Indies. Through both cultures, my understanding of the world and perspective on life has been shaped by both. By the music, colour, history, language of my Yoruba culture, and the lived experiences, music, and culture of being Black and British. There is an importance in telling our stories and archiving what is today. I want my photography to form part of an archive that people can reference and say here are stories of Black Brits and British-Nigerians in the UK in the 21st century. 

This project is a celebration of the duality of culture, language, fashion, and more.” 

TOMI ELEGBEDE (LEFT), OLUWATENIOLA ORISARAYI ELEGBEDE (RIGHT), photographed by Tobi Sobowale

“I love the fact that there is an interplay of these two distinct yet interconnected  cultural identities, showing up in every facet of my life. Whether it be in the music  I listen to, books I read, how I dress or  even in the foods that I consume, I am  always representing and I love that for  me! Although I do always joke that I am more Nigerian than British, I recognise  the importance of both cultures to my  identity and understand the onus as one  in the diaspora to make sure that whilst  embracing a new culture, I still stay  rooted in my heritage.” 

Tomi Elegbede

COUNTRY OF BIRTH: LAGOS, NIGERIA, TRIBE: YORUBA

“To me, being British-Nigerian is  about living in two worlds at once. It’s  celebrating my Nigerian roots—like the  food, music, and traditions—while also  embracing life in Britain and the privilege  I have to be here. Sometimes it’s a  balancing act as sometimes you feel you  don’t fit in with either culture but it’s a big  part of who I am.

It means pride in both  cultures and finding my own way to blend  them.” 


Gbemi Amaja

COUNTRY OF BIRTH: LONDON, UK, TRIBE: YORUBA

“It means navigating how to uphold one’s  traditions and cultures in a place that  has a significant lack thereof but still  being able to blend in with its people’s.  Lastly, being British Nigerian looks  like a community of young, talented &  resilient individuals that are proud to call  themselves Nigerians in the diaspora  and that are trying to make a way for  themselves without getting lost in this  strange country and losing the heart of  their home.” 

Oluwateniola Orisarayi
Elegbede

COUNTRY OF BIRTH: LAGOS, NIGERIA, TRIBE: YORUBA

LOLA WORGAN (LEFT), ESTHER KITTO (RIGHT), photographed by Tobi Sobowale

“Having the ability to successfully navigate 2 cultures whilst not losing your own identity, and being able to pass on the advantages of a dual heritage to your mixed race children.”

Esther Kitto

COUNTRY OF BIRTH: LONDON, UK, TRIBE: YORUBA

“Identity-wise, it was a challenge between  describing myself as a British-Nigerian or  Nigerian-British. I believe the former is my  reality. 

It means letting go of my ‘fresh’ accent  and to stop pretending that I can retain it. It means realising that my new home town  is in London and not in Nigeria anymore.

It meant historically opening up my dating  criteria to who I loved and not just “real”  Nigerians. It meant not always expecting to eat  Pounded Yam and Eforiro everyday  anymore. 

It means looking to create a future in my  new home, a kingdom that didn’t create  me but made me into the man I am today.”

Paul Daramola

COUNTRY OF BIRTH: LAGOS, NIGERIA, TRIBE: YORUBA

“Being versatile, code switching when  required but having deep embedded roots  in my culture down to the food, music and  clothing.” 

Abi Kasim

COUNTRY OF BIRTH: LAGOS, NIGERIA, TRIBE: YORUBA

CREDITS

Photographer / Art Director: Tobi Sobowale @shobo_photography

Hair Artist: Jamique @jaamique

MUA: Riana Juma @rbeaute_ and Muibat Adedoja @honiglam_makeover

Fashion Stylist: Anita Makinde @ayaba.yemi

Photography Assistant: Sarafina Shakespeare @finx.y

Next
Next

Community: Building What Used To Be